Lockjaw

  • Masculinity
  • Violence
  • Rurality

01/Synopsis

Tétanos is a short film about the silence between two men who don’t know how to express their appreciation for each other. The narrative structure draws from the essay form to convey the characters’ inner voices.

By sifting through others’ metal and scrap, a young scrap dealer traces how rust has taken hold in his relationship with his father.

04/Crédits

Crédits

Réalisateur
Alexandre Lefebvre
Producteur.trice.s
Patrick Francke-Sirois, David Francke-Robitaille, Isabelle Grignon-Francke
Directeur de la photographie
Émile Desroches
Direction artistique
Mathieu Turcotte
Prise de son et musique
Samuel Carrier
Avec
Alexandre Lavigne, Alain Lépine, Ethan Savard
Monteur
Philippe Lefebvre
Adaptation cinématographique du recueil
«Je serai un territoire fier où tu déposeras tes meubles» de Steven Gagnon

02/Intentions

Director’s notes

Steve Gagnon’s perspective, particularly regarding the violence men inflict on one another, deeply impacted me and made me question myself. He speaks of a violence that manifests as much through silence and the rejection of one’s own vulnerability as through tangible acts—punching walls, unable to contain a distress that all too often transforms into anger. Steve Gagnon paints a portrait of men who are outwardly strong but heavy-hearted—a portrait I increasingly recognize around me and whose echoes I feel in some of my own actions.

Still haunted by some of this author’s words, I feel a burning need to add some of my own, to walk alongside this work by inscribing it with images and ideas that are uniquely mine. Starting from an empathetic, non-judgmental perspective toward these men who are trapped in discomfort with themselves, I feel the need to convey that certain behaviors… …that appear macho are, in fact, façades that block access to an emotional depth they feel ashamed of.

[ Read more + ]
Alexandre Lefebvre
Director

03/Media

Talking about us

“The raw, sublime black-and-white dominates the film, emphasizing textures almost enough to feel their roughness, playing with shadowed areas, highlighting the contrasts of the landscape as if they were characters, and in doing so, evoking the great realist photographers of the last century and their images documenting life in the streets, cities, and countryside.”

Claire Valade
Séquence : la revue de cinéma

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