{"id":597,"date":"2026-02-11T16:41:38","date_gmt":"2026-02-11T21:41:38","guid":{"rendered":"https:\/\/clubvideo.ca\/?post_type=projects&p=597"},"modified":"2026-02-11T16:47:35","modified_gmt":"2026-02-11T21:47:35","slug":"lockjaw","status":"publish","type":"projects","link":"https:\/\/clubvideo.ca\/en\/projects\/lockjaw\/","title":{"rendered":"Lockjaw"},"content":{"rendered":"
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01<\/span>\/<\/span>Synopsis<\/h3>\n\t\t\t
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T\u00e9tanos is a short film about the silence between two men who don\u2019t know how to express their appreciation for each other. The narrative structure draws from the essay form to convey the characters\u2019 inner voices.<\/p>\n\t\t\t<\/div>\n\t\t\t

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By sifting through others\u2019 metal and scrap, a young scrap dealer traces how rust has taken hold in his relationship with his father.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>

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\n \"\"\n <\/div>\n \n\n\n\n<\/svg> Play<\/span><\/a>\n <\/div>\n <\/div>\n<\/section>
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04<\/span>\/<\/span>Cr\u00e9dits<\/h3>\n\t\t\t\t\t
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Cr\u00e9dits<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t
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\n\t\tR\u00e9alisateur<\/span>\n\t
Alexandre Lefebvre<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tProducteur.trice.s<\/span>\n\t
Patrick Francke-Sirois, David Francke-Robitaille, Isabelle Grignon-Francke<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tDirecteur de la photographie<\/span>\n\t
\u00c9mile Desroches<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tDirection artistique<\/span>\n\t
Mathieu Turcotte<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tPrise de son et musique<\/span>\n\t
Samuel Carrier <\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tAvec <\/span>\n\t
Alexandre Lavigne, Alain L\u00e9pine, Ethan Savard<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tMonteur<\/span>\n\t
Philippe Lefebvre<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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\n\t\tAdaptation cin\u00e9matographique du recueil<\/span>\n\t
\u00abJe serai un territoire fier o\u00f9 tu d\u00e9poseras tes meubles\u00bb de Steven Gagnon<\/h4>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n
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02<\/span>\/<\/span>Intentions<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t
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Director’s notes<\/h2>\n\t\t\t\t\t\t\t\t\t
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Alexandre Lefebvre<\/h5>\n\t\t\t\t\t\tDirector<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
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Steve Gagnon\u2019s perspective, particularly regarding the violence men inflict on one another, deeply impacted me and made me question myself. He speaks of a violence that manifests as much through silence and the rejection of one\u2019s own vulnerability as through tangible acts\u2014punching walls, unable to contain a distress that all too often transforms into anger. Steve Gagnon paints a portrait of men who are outwardly strong but heavy-hearted\u2014a portrait I increasingly recognize around me and whose echoes I feel in some of my own actions. <\/span><\/p>\n

Still haunted by some of this author\u2019s words, I feel a burning need to add some of my own, to walk alongside this work by inscribing it with images and ideas that are uniquely mine. Starting from an empathetic, non-judgmental perspective toward these men who are trapped in discomfort with themselves, I feel the need to convey that certain behaviors\u2026 <\/span>\u2026that appear macho are, in fact, fa\u00e7ades that block access to an emotional depth they feel ashamed of.
<\/span><\/i> <\/p>\n<\/div>\n\t\t\t\t[ Read more + ]<\/span>\n\t\t\t\t\t\t\t\t\t

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Alexandre Lefebvre<\/h5>\n\t\t\t\t\t\tDirector<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n
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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/div>\n\t\t\t \t\t\t<\/a>\n\t\t\t \t\t<\/div>\n\t\t\t \t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t \t\t\t<\/a>\n\t\t\t \t\t<\/div>\n\t\t\t \t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>
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03<\/span>\/<\/span>Media<\/h3>\n\t\t\t\t
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Talking about us<\/h2>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t
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\n\t\t\t\"\"\n\t\t<\/div>\n\t\t

\u201cThe raw, sublime black-and-white dominates the film, emphasizing textures almost enough to feel their roughness, playing with shadowed areas, highlighting the contrasts of the landscape as if they were characters, and in doing so, evoking the great realist photographers of the last century and their images documenting life in the streets, cities, and countryside.\u201d<\/p>\n\t\t\t\t\t

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Claire Valade<\/h5>\n\t\t\t\t\t\t\t\t\t\t\tS\u00e9quence : la revue de cin\u00e9ma<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
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<\/p>\n\t\t\t<\/div>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n

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